Showing posts with label Progressive Rock. Show all posts
Showing posts with label Progressive Rock. Show all posts

Tuesday, September 21, 2010

Hawkwind - Blood of the Earth 2 CD MP3 Full Album


ARTiST.. hawkwind
TiTLE... blood of the earth
GENRE... progressive rock
LABEL... eastworld / cargo
YEAR.... 2010
SOURCE.. cdda
PLAYTIME 103:57 min
TRACKS.. 11
SiZE.... 152,60 MB

Tracklist

NR. TRACK. TiME.

01 seahawks 06:15
02 blood of the earth 03:00
03 wraith 06:10
04 green machine 04:05
05 inner visions 04:30
06 sweet obsession 04:43
07 comfy chair 04:57
08 prometheus 05:46
09 youd better believe it 07:15
10 sentinel 06:05

TOTAL: 52:46

blood of the earth (bonus live cd)

01 hawkwind - space
02 hawkwind - angels of death
03 hawkwind - wraith
04 hawkwind - tide of the century
05 hawkwind - magnu
06 hawkwind - levitation
07 hawkwind - long gone (bonus track)
08 hawkwind - interview 2010

TOTAL: 51:11

http://www.myspace.com/hawkwindofficial

Support the Artists.

Wednesday, June 30, 2010

Family - Music in a Dolls House


Music in a Doll's House is the debut album by progressive rock group Family, released in July 1968. The album, co-produced by Dave Mason of Traffic , features a number of complex musical arrangements contributing to its ambitious psychedelic sound.

The Beatles had originally intended to use the title A Doll's House for the album they were recording during 1968. The release of Family's similarly titled debut then prompted them to adopt the minimalist title The Beatles for what is now more commonly referred to as The White Album due to its plain white sleeve.


"Old Songs, New Songs" features a cameo from the Tubby Hayes group.

This album was initially issued in the US using the UK import and sold in the US as a domestic album (with an extra piece of cardboard to stiffen up the sleeve). Around the time the second album was issued in the US, US pressings of this album started to appear.

In the Q & Mojo Classic Special Edition Pink Floyd & The Story of Prog Rock, the album came #30 in its list of "40 Cosmic Rock Albums".

All tracks credited to John Whitney, Roger Chapman and Family unless noted.
Side one

1. "The Chase" – 2:16
2. "Mellowing Grey" – 2:48
3. "Never Like This" – 2:20 (Dave Mason)
4. "Me My Friend" – 2:00
5. "Variation on a theme of Hey Mr. Policeman" – 0:25
6. "Winter" – 2:26
7. "Old Songs New Songs" – 4:18
8. "Variation on a theme of The Breeze" – 0:39

Old Songs, New Songs - The Definitive Box Set Entertainment

Side two

1. "Hey Mr. Policeman" – 3:14
2. "See Through Windows" – 3:44
3. "Variation on a theme of Me My Friend" – 0:22
4. "Peace of Mind" – 2:26
5. "Voyage" – 3:31
6. "The Breeze" – 2:52
7. "3 x Time" – 3:51

Bandstand/It's Only a Movie A Song for Me/Anyway

Family were an English rock band that formed in Late 1966 and disbanded in October 1973. Their style has been characterised as progressive rock, although their sound often explores other genres, incorporating elements of such styles as folk, psychedelia, acid, jazz fusion and basic rock and roll. The band achieved recognition in the United Kingdom, through their albums and appearing at festivals, but were unable to attract the same level of attention in USA.

Family & Friends  Live at the Y 2001

The band's rotating membership throughout its relatively short existence led to a diversity in sound throughout their different albums. Family are also often seen as an unjustly forgotten act,when compared with other bands from the same period and have been described as an "odd band loved by a small but rabid group of fans". (Wikipedia)

Associated bands and acts;
Kevin Ayers, Streetwalkers, Traffic, Blind Faith, King Crimson, Stud, Mogul Thrash, The Animals, The Farinas, The Rocking R's, The Roaring Sixties, Ashton, Gardner & Dyke, Dave Mason, Nicky Hopkins

Barclay James Harvest

Barclay James Harvest was the name of both band and album on this their first ever LP release. Recorded in 1970 and released in 1971
Tracks
1. Taking Some Time On
2. Mother Dear
3. The Sun Will Never Shine
4. When the World Was Woken
5. Good Love Child
6. The Iron Maiden
7. Dark Now My Sky
DOWNLOAD ALBUM
Barclay James Harvest was remastered and reissued by Harvest in 2002 as Their First Album with several bonus tracks:

1. "Early Morning" (Holroyd, Lees, Mel Pritchard, Wolstenholme) – 2:34
2. "Mister Sunshine" (Wolstenholme) – 2:54
3. "So Tomorrow" (Holroyd, Lees, Pritchard, Wolstenholme) – 3:28
4. "Eden Unobtainable" (Holroyd) – 3:10
5. "Night" (Wolstenholme) – 3:20
6. "Pools of Blue" (Lees) – 3:29
7. "Need You Oh So Bad" (Wolstenholme) – 1:18
8. "Small Time Town" (Lees) – 2:12
9. "Dark Now My Sky" (Lees) – 3:43
10. "I Can't Go on Without You" (Wolstenholme) – 2:13
11. "Eden Unobtainable" (Holroyd) – 3:04
12. "Poor Wages" (Wolstenholme) – 2:34
13. "Brother Thrush" (Lees) – 3:06

This album also had a different cover art, which featured the original cover as part of the scenery in the picture.


The original gatefold cover was designed by Ian Latimer, with photography by Richard Dunkley.


Lyrics;

Taking Some Time On
Composer: John Lees
Lead vocal: Les Holroyd

Written by John Lees, the first track was actually the last to be recorded, fulfilling a need for an attention-grabbing opener. It shares a riff with "Too Much On Your Plate", the song which only saw the light of day on a free fan club flexidisc in 1991.

John: "It was a hippy song, very tongue in cheek, like "Psychedelic Child". It's second favourite of my own songs on the album."

Lyrics:
Let's come on and get together
Like the sky gets to the sea
Just taking some time on
Let's come on and make it better
Let's make everybody see
Just taking some time on
For those who feel inclined
To talk about the hidden meanings of the mind
Let's come on and get together
Let's come on and get together
Like the sky with the sea
Like the sky with the sea
Just taking some time on

Let's come on and tell the story
Of the way it used to be
Just taking some time on
Let's come on and sing a song now
Of the days when we were free
Just taking some time on
For those who feel inclined
To talk about the hidden meanings of the mind
Let's come on and get together
Let's come on and get together
Like the sky with the sea
Like the sky with the sea
Just taking some time on

Let's come on the feeling's right now
We want everyone to be
Just taking some time on
Let's come on and get together
Like the sky gets to the sea
Just taking some time on
For those who feel inclined
To talk about the hidden meanings of the mind
Let's come on and get together
Let's come on and get together
Like the sky with the sea
Like the sky with the sea
Just taking some time on

[Barclay James Harvest,  Ardmore & Beechwood/EMI]

Mother Dear
Composer: John Lees
Lead vocal: Woolly Wolstenholme

Also written by John, but quite a contrast: "Mother Dear" is a gothic tale of ghostly apparitions in the night, and dates back to 1967. Apparently an early version featuring honky-tonk bar-room piano was rejected as inappropriate to the subject matter!

Lyrics:
Oh Mother dear
What a night this has been
I awoke in the light of a vision in white
The prettiest girl that I have ever seen

Lately my love, said the lady in white
I have watched from afar, but love draws me near
Now take my hand, hold tight, Mother dear
Do you know what this could mean, Mother dear?
Was it just another dream..... in the night?

Mother dear, on that same silver night Saw a figure in black by the lady in white
He said his name was death, was he right?
Do you know what this could mean, Mother dear?
Was it just another dream..... in the night?
Do you know what this could mean, Mother dear?
Was it just another dream..... in the night?

Mother dear, what a night this has been
It's so cold by your side, no don't cry, can't you see?
Won't you listen to me please, Mother dear
Was it just another dream, Mother dear?

[Barclay James Harvest,  Ardmore & Beechwood/EMI]

The Sun Will Never Shine
Composer: Woolly Wolstenholme (orchestral arrangement: Robert Godfrey)
Lead vocal: Woolly Wolstenholme

Woolly Wolstenholme: "It was written as a kind of antidote to "Mr. Sunshine", which was about hiding from the bright light of day, not about drugs! "The Sun Will Never Shine" and "Ra" have a similar theme."

John Lees: "My favourite song from this album - it gave me a big high, and still sounds great."

Lyrics:
In corridors of air the clouds were waiting there
They knew that never again the skies would be so blue
They took away the sun and with it took the fun
It's true, and now there is really nothing I can do
So I look outside my window at the sheets of pouring rain
And I wonder if the sun will come again

But the sun will never shine the way it used to do
The clouds won't let it through
Oh the sun will never shine its smile for me and you
The clouds won't let it through

It wasn't long ago the people that I knew were glad
And nothing they ever thought about was sad
But since the sun has gone their laughing times are none
That's bad, to make them forget the happy times they've had
So they look outside their window at the sheets of pouring rain
And they wonder if the sun will come again

But the sun will never shine the way it used to do
The clouds won't let it through
Oh the sun will never shine its smile for me and you
The clouds won't let it through

[Barclay James Harvest,  Ardmore & Beechwood/EMI]

When The World Was Woken
Composer: Les Holroyd (orchestral arrangement: Robert Godfrey)
Lead vocal: Les Holroyd

Les Holroyd: "I remember writing all the melody lines for that on a Hammond. The singing was all over the place, but in those days you didn't have the luxury of going back and doing it all again!". The correct title, incidentally, should have been "When The World Has Woken", but it was mis-quoted on the album artwork and has remained that way ever since.

Lyrics:
When the world was woken
Save all unknowing eyes
And thoughts that once were spoken
Left only to despise
And when the dawn is breaking
Look upward to the sky
If life is so hard to live
Why not die?

When the world has woken
And shadows leave the air
Then each spell will be broken
For everyone who cares
The day will then be endless
The night will soon pass by
If life is so hard to live
Why not die?

When the world has woken
For all who see the sun
And gentle words are spoken
The dawning has begun
Then man can live together
With one triumphant cry
If life is so hard to live
Why not die?

[Barclay James Harvest,  Ardmore & Beechwood/EMI]

Good Love Child
Composer: John Lees
Lead vocal: Les Holroyd

John Lees: "It's just an out-and-out rock and roll song."

Lyrics:
Get up, get up, get up, child
Get off your knees
Take it, take it, take it, I'm easy
We're here to please
Put your hands in the air
Put your feet on the ground
Put your mind in a dream
'Cause there's nothing we ain't seen
Good love child
You know what I mean
Good love child
You've got to keep it clean
Good love child
Gonna steal the scene

Make love, make love, make love, child
And make it mean
Take love, take love, take love, child
And keep it clean
Put your hands in the air
Put your feet on the ground
Put your mind in a dream
'Cause there's nothing we ain't seen
Good love child
You know what I mean
Good love child
You've got to keep it clean
Good love child
Gonna steal the scene

Get up, get up, get up, child
Get off your knees
Take it, take it, take it, I'm easy
It's here to squeeze
Put your hands in the air
Put your feet on the ground
Put your mind in a dream
'Cause there's nothing we ain't seen
Good love child
You know what I mean
Good love child
You've got to keep it clean
Good love child
Gonna steal the scene

[Barclay James Harvest,  Ardmore & Beechwood/EMI]

The Iron Maiden
Composer: Woolly Wolstenholme
Lead vocal: Woolly Wolstenholme

Woolly: "It reflected a kind of medieval feel - a folk song in a kind of "Olde Englishe" way. The song was actually about a rather obnoxious girl I knew who was nicknamed Behemoth!

"The Iron Maiden" gained television exposure when it was broadcast with a film clip about the return of the steamship SS Great Britain to the UK which was shown on Disco 2, a precursor of BBC2's Old Grey Whistle Test.

Lyrics:
She walks on through the night
Her circumstances slight
Are only helping her to fail
And though she feels she's right
She tries with all her might
And makes the deepest peril pale
Oh, but she is unreal
Oh, but she doesn't feel
Oh, but she is unreal

She chooses who to love
And then unlike a dove
She takes the laughter from their smile
She wears a velvet glove
Her friends may find it rough
It is a gauntlet all the while
Oh, but she is unreal
Oh, but she doesn't feel
Oh, but she is unreal

[Barclay James Harvest,  Ardmore & Beechwood/EMI]

Dark Now My Sky
Composer: John Lees (orchestral arrangement: Robert Godfrey)
Lead vocal: Les Holroyd

John's epic was a firm favourite with early fans, and is still his favourite of his own songs on the album. Les and Woolly also both rate it as their favourite track from the debut album. The song was around in 1968, but in a simpler version without the rather overblown orchestration. Woolly admits to being responsible for the "Shakespearean" spoken introduction after the style of Peter Sellers, and the maniacal laughter is from Robert Godfrey.

John: "It was inspired by a book called The Silent Spring (by Rachel Carson), written in the sixties about man's destruction of the environment".

Les: "It's still my favourite from the LP, because it was so different from anything we'd done."

Lyrics:
Don't ask me how I know
But this dark sky will soon be blue
Don't ask, no don't ask
Just watch as the grey mists of winter fall
Like so many drops of dew
Feel the ice melt to warm tears in my eyes
Under the light of a tin sun
Do not ask me how I know
The effect of light on unseeing eyes
How should I know?
How could I know?

Dark now my sky
The sea of peace has left my shore
No birds cry
The silent spring will overflow
Oh you'll never know
I love you so
You'll always be
A part of me

Dark now my eyes
The sea of peace has met the sky
No birds sing
And like the Spring life whispers by
Oh you'll never know
I love you so
You'll always be
A part of me

Dark now my sky
The winds of time have swept my shore
No birds fly
The trees that fall will rise no more
Oh you'll never know
I love you so
You'll always be
A part of me

[Barclay James Harvest,  Ardmore & Beechwood/EMI]

BJH Discography

Wednesday, June 23, 2010

Strawbs Just a Collection of Antiques and Curios

Just A Collection Of Antiques And Curios, is a live album by English band Strawbs recorded at the Queen Elizabeth Hall London on July 11, 1970. The album reached number 27 in the UK Album Charts.
The band line-up had changed dramatically from that of the previous album, Dragonfly. Only founder-members Dave Cousins and Tony Hooper remained, double bass player Ron Chesterman and cellist Claire Deniz being replaced by rhythm section John Ford and Richard Hudson. Rick Wakeman also became a full-time member. Thus the band changed from being a folk quartet to a rock quintet.
The concert was instrumental in bringing Rick Wakeman's virtuosity to the attention of the music media, who prophesied super-stardom for the keyboard player.

Although this album was recorded live, none of the tracks on the original vinyl pressing were released on any studio album except for "Where is This Dream of Your Youth", originally released as a track on the studio album Strawbs. (Wikipedia)



Side one
"Martin Luther King's Dream" (Dave Cousins) – 2:53
"The Antique Suite" (Cousins) – 12:12
"The Reaper"
"We Must Cross the River"
"Antiques and Curios"
"Hey It's Been a Long Time"
"Temperament of Mind" (Rick Wakeman) – 4:50
Side two
"Fingertips" (Cousins) – 6:14
"Song of a Sad Little Girl" (Cousins) – 5:28
"Where Is This Dream Of Your Youth" (Cousins) – 9:07
Bonus tracks
The following tracks are offered as bonus tracks on the A&M re-issue CD.
"The Vision Of The Lady Of The Lake" (Cousins) – 10:03
"We'll Meet Again Sometime" (Cousins) – 4:17
"Forever" (Cousins, Tony Hooper) – 3:32
"Forever" is a studio track and was released as a single in 1970. All other tracks were taken from the concert recording.

Personnel

Dave Cousins – vocals, acoustic guitar, electric guitar, dulcimer
Tony Hooper – vocals, acoustic guitar, tambourine
Rick Wakeman – piano, organ, harpsichord, celeste
John Ford – vocals, bass guitar
Richard Hudson – vocals, congas, percussion, sitar

Download Complete album - Strawbs Just a Collection of Antiques and Curios
Temperament of a Mind
Martin Luther Kings Dream
The Antique Suite
Song of a sad little girl
Fingertips
Where is the Dream of your Youth?

Vision of the Lady of the Lake
We'll Meet again Sometime
Forever

Strawbs Hero and Heroine

Download Complete Album - Hero and Heroine - the Strawbs

Hero and Heroine is a studio album by English band Strawbs. After the tour supporting the previous album, Bursting at the Seams, there was an acrimonious split leaving only Dave Cousins and Dave Lambert to rebuild the band. The new line-up gelled very quickly and studio sessions were very productive. The album was released first in the US to a warm reception, and then in the UK where reviews were more negative. The album only reached number 35 on the UK Album Charts[1] and the band increasingly began to look to North America for a successful future.

The album, although still recognisably Strawbs, contains tracks with harsh "straight talking" lyrics, in contrast to the more lyrical approach shown on Bursting at the Seams. The music is more Gothic and doom-laden with washes of mellotron and guitar power chords, especially on the longer tracks.


Dancing to The Devil's BeatGhosts

All band members made writing contributions, notably Chas Cronk with whom Dave Cousins would write many songs on future albums.

Side one
1. "Autumn" – 8:27 - "Heroine's Theme" (John Hawken), "Deep Summer Sleep" (Dave Cousins), "The Winter Long" (Cousins).
2. "Sad Young Man" (Rod Coombes) – 4:09
3. "Just Love" (Dave Lambert) – 3:41
4. "Shine on Silver Sun" (Cousins) – 2:46
Side two
1. "Hero and Heroine" (Cousins) – 3:29
2. "Midnight Sun" (Chas Cronk, Cousins) – 3:06
3. "Out in the Cold" (Cousins) – 3:19
4. "Round and Round" (Cousins) – 4:44
5. "Lay a Little Light on Me" (Cousins) – 3:27
6. "Hero's Theme" (Lambert) – 2:28


Bonus tracks
The following tracks did not feature on the original vinyl release and were included as bonus tracks on the A&M reissue.

1. "Still Small Voice" (Cousins) – 2:28
2. "Lay a Little Light on Me (early version)" (Cousins) – 2:20

  Line Up
* Dave Cousins – lead vocals, backing vocals, acoustic guitar, electric guitar
* Dave Lambert – lead vocals, backing vocals, acoustic guitar, electric guitar
* John Hawken – organ, piano, electric piano, mellotron, synthesizer
* Chas Cronk – backing vocals, bass guitar, synthesizer
* Rod Coombes – backing vocals, drums, percussion
* Claire Deniz – cello on "Midnight Sun"

Download all song titles (you don't have to wait to download more than one file at a time, you can download them all simultaneously)
Just Love

Tuesday, June 22, 2010

The Small Faces - Ogdens Nut Gone Flake

 Listen to and Download The Small Faces - Ogdens' Nut Gone Flake 
Ogdens' Nut Gone Flake was a successful concept album by the English rock band Small Faces. Released on 24 May 1968 the LP became a number one hit in the UK Album Charts on 29 June where it remained for a total of six weeks. The album was featured in the book 1001 Albums You Must Hear Before You Die.

Ogdens Nut Gone Flake Ultimate Collection

The title and the design of the distinctive packaging was a parody of Ogdens' Nut-brown Flake, a brand of tobacco which was produced in Liverpool from 1899.



The A-side is a mix of early heavy rock with "Song of a Baker"; psychedelic cockney knees-up songs "Lazy Sunday" and "Rene", the opening instrumental title track (which resembles their second single "I've Got Mine", which was a total bomb in 1965), and the soul influenced ballad "Afterglow (Of Your Love)".
The B-side is based on an original fairy tale about a boy called Happiness Stan, narrated in his unique ‘Unwinese’ gobbledegook by Stanley Unwin, who picked up modern slang from the band and incorporated it into the surreal narrative.



When Stan looks up in the sky and sees only half the moon, he sets out on a quest to search for the missing half. Along the way he saves a fly from starvation, and in gratitude the insect tells him of someone who can answer his question and also tell him the philosophy of life itself. With his magic power Stan intones, "If all the flies were one fly, what a great enormous fly-follolloper that would bold," and the fly grows to gigantic proportions. Seated on the giant fly's back Stan takes a psychedelic journey to the cave of Mad John the hermit, who explains that the moon's disappearance is only temporary, and demonstrates by pointing out that Stan has spent so long on his quest that the moon is now full again. He then sings Stan a cheerful song about the meaning of life.



Due to the album's complexities, Ogdens' was never performed live, however it was performed as a whole once on the BBC's television programme Colour Me Pop on Friday 21 June 1968. Songs featured were "Song of a Baker", "Happiness Stan", "Rollin' Over", "The Hungry Intruder", "The Journey", "Mad John" and "Happydaystoytown". Although the band mimed to the studio recordings, their microphones were left on to capture little ad libs.



In 2000 Q magazine placed Ogdens' Nut Gone Flake at number 59 in its list of the 100 Greatest British Albums Ever.

Highest UK album chart position: 1968, Number One (for six weeks), and a total of 19 weeks on chart.



Playbox Theatre Company, UK, have performed the whole album as a theatre piece in November 2008. It was directed by Stewart McGill and performed by a young cast with a Small Faces tribute band, and it was narrated by Stanley Unwin's son, John.

Small Faces (40 Anniversary Edition) British Invasion: 5 DVD Box Set featuring Bonus Disc

On October 10 2010, the world’s first major concert format production of Ogdens' Nut Gone Flake is to be staged at London's indigO2 venue, featuring an all-star line up of artists. The show will be promoted by Chas Cole of CMP and produced by John Hellier & Mark Cunningham.








Packaging
The album was originally released on vinyl in a circular novelty package of a metal replica of a giant tobacco tin inside which was a poster created with 5 connected paper circles with pictures of the band members. This proved too expensive and was quickly followed by a paper/card replica with a gatefold cover. Two limited-edition CD releases (including a three-disc deluxe edition in 2006 that included the original mono mix of the album on CD for the first time) went even further by packaging the disc(s) in a circular tin (as the original vinyl release had). However, most CD releases use conventional packaging, superimposing the circular artwork on a square booklet. The award-winning artwork for the album cover was done by Mick Swan who was a product of the sixties art school scene. Any other work by him is unknown but he is known to have worked as a fine arts tutor at Lowestoft F.E. College in 1974.

First Step  From the Beginning

Click on Song Titles to download.
Side one
No. Title Writer(s) Length
1. "Ogdens' Nut Gone Flake"   Marriott, Lane, McLagan, Jones 2:26
2. "Afterglow (Of Your Love)"   Marriott, Lane 3:31
3. "Long Agos and Worlds Apart"   McLagan 2:35
4. "Rene"   Marriott, Lane 4:29
5. "Song of a Baker"   Marriott, Lane 3:15
6. "Lazy Sunday"   Marriott, Lane 3:05
Side two (titled "Happiness Stan")
No. Title Writer(s) Length
1. "Happiness Stan"   Marriott, Lane 2:35
2. "Rollin' Over"   Marriott, Lane 2:50
3. "The Hungry Intruder"   Marriott, Lane, McLagan 2:15
4. "The Journey"   Marriott, Lane, McLagan, Jones 4:12
5. "Mad John"   Marriott, Lane 2:48
6. "Happy Days Toy Town"   Marriott, Lane, McLagan 4:17
Extra Track! - Tin Soldier



To promote the album Immediate issued an advertisement that parodied The Lord's Prayer. It caused uproar in the British press and outraged readers wrote in and complained.

Small Faces
Which were in the studios
Hallowed by thy name
Thy music come
Thy songs be sung
On this album as they came from your heads
We give you this day our daily bread
Give us thy album in a round cover as we give thee 37/9d.,
Lead us into the record stores.
And deliver us Ogdens' Nut Gone Flake
For nice is the music
The sleeve and the story
For ever and ever, Immediate

"We didn't know a thing about the ad. until we saw it in the music papers. And frankly we got the horrors at first. We realise that it could be taken as a serious knock against religion. But on thinking it over, we don't feel it is particularly good or bad. It's just another form of advertising. We're not all that concerned about it. We're more concerned in writing our music and producing our records" - Steve Marriott on the advert for Ogdens' Nut Gone Flake that parodied the Lord's Prayer (Wikipedia)

The Byrds - Greatest Hits Psychomodo

Download Ten Years After - Undead

Complete Album Download - Undead; Ten Years After


Undead is the second album by Ten Years After, recorded live at the small jazz club, Klook's Kleek, in London, May 1968. This album set out to give listeners a real feel to what it was like to hear Ten Years After. Their eponymous first album was bluesy, but less emotional and passionate, and so the band decided to record the album live. The result was a combination of blues, boogie and the sometimes remarkable jazz playing ability of the band members.

Space in Time  Cricklewood Green

The approach of the band on this album remains unique in that it is a rock/blues approach to swing. And swing it does! Although the soloing remains almost exclusively in the pentatonic scale and adheres strictly to a basic 1/IV/V 12 bar blues (with no traditional jazz substitutions), the boys manage to pull off a confident and aggressive post bop feel. This album became the introduction that many aspiring musicians used as a learning tool to explore beyond rock and pop boundaries and into more improvised stylings.

Live at the Fillmore East Ssssh

Ten Years After; Undead (1968)
Line-up:
Chick Churchill - keyboards
Alvin Lee - guitar, vocals
Leo Lyons - bass
Ric Lee - drums
Joe Gooch - guitar, vocals

Additional Album Info; Original LP on DERAM 1023
Download Tracks;
1. I May Be Wrong But I Won't Be Wrong Always (Alvin Lee)- 9:49
2. At The Woodchopper's Ball (Woody Herman/Joe Bishop)- 7:38
3. Spider In My Web (Alvin Lee)- 7:42
4. Summertime (George Gershwin)/ Shantung Cabbage (Ric Lee)- 5:44
5. I'm Going Home (Alvin Lee)- 6:24


2002 CD Re-release
1. Rock Your Mama - 3:46
2. Spoonful - 6:23
3. I May Be Wrong, But I Won't Be Wrong Always - 9:49
4. Summertime / Shantung Cabbage - 5:44
5. Spider In My Web - 7:43
6. (At the) Woodchopper's Ball - 7:38
7. Standing At The Crossroads - 4:10
8. I Can't Keep From Crying, Sometimes / Extension On One Chord / I Can't Keep From Crying Sometimes - 17:04
9. I'm Going Home - 6:24
Download Complete Album  [87MB]
Texas International Pop Festival 1969 - Spoonful - Alvin Lee/Ten Years After


Ten Years After is an English blues-rock band, most popular in the late 1960s and early 1970s. Between 1968 and 1973, Ten Years After scored eight Top 40 albums on the UK Albums Chart. In addition they have had twelve albums enter the US Billboard 200, and are best known for their tracks "I'm Going Home", "Hear Me Calling", "I'd Love To Change the World" and "Love Like a Man".

Woodchoppers Ball

After several years of local success in the Nottingham/Mansfield area as a band known since 1962 as The Jaybirds (its core was formed in late 1960 as Ivan Jay and the Jaycats), and later as Ivan Jay and the Jaymen, Ten Years After was founded by Alvin Lee and Leo Lyons. Ivan Jay sang lead vocals from late 1960 to 1962 and was joined by Ric Lee in August 1965, replacing drummer Dave Quickmire, who had replaced Pete Evans in 1962. In 1966 The Jaybirds moved to London, where Chick Churchill joined the group. That November the quartet signed a manager, Chris Wright, and decided to change its name to Blues Trip, Blues Yard (under which they played a show at the Marquee Club supporting the Bonzo Dog Doo-Dah Band), and finally in November 1966, to Ten Years After, (in honor of Elvis Presley, an idol of Lee's whose momentous year in rock, 1956, helps to better explain the band's title).

The group became the first act booked by the soon-to-be Chrysalis Agency. It secured a residency at the Marquee, and received an invitation to play at the Windsor Jazz Festival in 1967. That performance led to a contract with Deram, a subsidiary of Decca – the first band so signed without a hit single. In October, its 1967 self-titled debut album was released.

In Tennessee On the Road to Freedom

In 1968, after touring Scandinavia and the United States, Ten Years After released its second album, live Undead, which brought the noteworthy song "I'm Going Home". This was followed in February 1969 by the studio issue Stonedhenge, a British hit, that included another well known track, "Hear Me Calling" (it was released also as a single, and covered in 1972 by the British glam rock rising stars, Slade). In July 1969 the group appeared at the Newport Jazz Festival, in the first event to which rock bands were invited. In August, the band performed a breakthrough American appearance at Woodstock; their rendition of "I'm Going Home" featuring Alvin Lee as lead singer, was featured in both the subsequent film and soundtrack album and catapulted them to star status.

Ten Years After- Spider in my Web (live audio)


During 1970, Ten Years After released "Love Like a Man", the group's only hit in the UK Singles Chart. This song was on the band's fifth album, Cricklewood Green.The name of the album comes from a friend of the group who lived in Cricklewood, London. He grew a sort of plant which was said to have hallucinogenic effects. The band did not know the name of this plant, so the members called their album Cricklewood Green. It was the first record to be issued with a different playing speed on each side – one a three-minute edit at 45rpm, the other, a nine-minute live version at 33rpm. In August 1970, Ten Years After played the Strawberry Fields Festival near Toronto, and the Isle of Wight Festival 1970.

In 1971, the band released the album A Space in Time, which marked a move toward more commercial material. It featured the group's biggest hit, "I'd Love To Change The World". But the band broke up after the 1974 album Positive Vibrations. The members re-united in 1983 to play the Reading Festival,and this performance was later released on CD as The Friday Rock Show Sessions - Live At Reading '83' . In 1988, the members re-united for a few concerts and recorded the album About Time (1989). In 1994, they participated in the Eurowoodstock festival in Budapest.



Alvin Lee has since then mostly played and recorded under his own name. In 2004, the other band members replaced him with Joe Gooch, and recorded the album, Now.Material from the following tour was used for the 2005 double album, Roadworks.[4] Ric Lee is currently in a band called The Breakers, along with Ian Ellis (ex-Clouds). (Wikipedia)

London 1970 - Spider In My Web


Watt Anthology 1967-1971