Showing posts with label 1976. Show all posts
Showing posts with label 1976. Show all posts

Monday, September 13, 2010

801 Live (Rare album)

801 Live (Collector's Edition)
801 Live is a totally Cult album featuring Phil Manzanera and Brian Eno amongst other Genial artists.
801 were an English experimental rock band that were originally formed in 1976 for three live concerts by
  • Phil Manzanera (guitars, ex-Roxy Music)
  • Brian Eno (keyboards, synthesizers, guitar, and vocals, ex-Roxy Music)
  • Bill MacCormick (bass and vocals, ex-Quiet Sun, Matching Mole)
  • Francis Monkman (Fender Rhodes piano and clavinet, ex-Curved Air)
  • Simon Phillips (drums and rhythm generator)
  • Lloyd Watson (slide-guitar and vocals).

In 1976, while Roxy Music had temporarily disbanded, 801 (also referred to as THE 801) got together as a temporary project and began rehearsing at Island Studios, Hammersmith, about three weeks before their first gig. The name of the band was taken from the Eno song "The True Wheel", which appears on his 1974 solo album Taking Tiger Mountain (By Strategy). The refrain of the song -- "We are the 801, we are the central shaft" -- reportedly came to him in a dream (although it has also been noted that "Eight Nought One" acrostically spells his name).

801 performed three critically highly acclaimed concerts: in Norfolk, at the Reading Festival and the final concert on 3 September at London's Queen Elizabeth Hall. This last concert was recorded live and released as the album 801 Live. The music consisted of more or less mutated selections from albums by Manzanera, Eno, and Quiet Sun, plus a full-scale rearrangement of Lennon-McCartney's "Tomorrow Never Knows" and an off-the-wall excursion into The Kinks' 1964 hit "You Really Got Me".

Released at the height of the punk rock revolution in the UK, the LP was not a major commercial success, but it sold well throughout the world, particularly because it gained rave reviews from critics, both for the superb performances by the musicians and for its groundbreaking sound quality.

Although live albums were by then becoming increasingly sophisticated in their production -- thanks to the advent of portable multi-track recorders and mobile studios -- most were hampered by relatively poor sound quality. Up until this time, the standard procedure for both front-of-house mixing and live recording was capture the sound of amplified instruments such as guitars by placing microphones in front of the amplifiers. Although many superb performances were captured, the results were still markedly inferior to studio recordings and live recordings often suffered from a range of problems such as distortion, noise, sound "leakage" between instruments, poor separation and intrusive audience sounds.

801 Live set new standards for live recordings because it was one of the first live LPs in which all outputs from the vocal microphones, guitar amps and others instruments (except the drums) were fed directly to the mobile studio mixing desk, rather than being recorded via microphones and/or signals fed out the front-of-house PA mixer. This so-called "Direct Injection" (DI) method had been used for years in the studio but this was one of the first instances of the method being successfully used to record a live album.

801 Live became a significant cult success in many countries, notably in Australia, where it was heavily promoted by the ABC's new 24-hour rock station Double Jay (2JJ), which had opened in January 1975. Although based in Sydney, the station could be heard widely around New South Wales and was relayed nationally after midnight via the ABC's national AM network. It is notable that 801 Live received virtually no commercial radio airplay, it had no music video to promote it, and it was originally not even locally released in Australia. Despite this, the album became the highest-selling import album of the year in Australia in 1976 and demand for it as an import item eventually forced the Australian distributors to release it locally. Australian band Icehouse played 801 songs as well as other Eno covers.[citation needed]

In 1977, hoping to capitalise on the success of 801 Live, the band recorded and released Listen Now, a studio album with additional collaborating musicians including Tim Finn of Split Enz, but without Lloyd Watson.

In late 1977, 801 reformed as another live group around Manzanera and MacCormick for a promotion tour for the album Listen Now. Their concert at Manchester University was finally released as the album 801 Manchester in 2001.

In 2006, the official Phil Manzanera Web site Manzanera.com reported that 801 Live was soon to be reissued as a double CD with "minor tweaks" to the original recordings and restoration of the "proper ending" to the song Third Uncle. On the original album, Third Uncle builds to a crescendo of guitar strokes and cuts abruptly to silence. According to the Web site, new material for the second CD will include the band's last rehearsal on a sound stage at Shepperton Film Studios. An official release date for the new double CD has not been announced.

801 Live Track Listing

(1976)

Side One

  1. "Lagrima" (Manzanera) – 2:34
  2. "TNK (Tomorrow Never Knows)" (John Lennon, Paul McCartney) – 6:14
  3. "East of Asteroid" (Manzanera, MacCormick) – 4:58
  4. "Rongwrong" (Charles Hayward) – 5:10
  5. "Sombre Reptiles" (Eno) – 3:14

Bonus Tracks added to 1999 Reissue (Collectors Edition)

  1. "Golden Hours" (Eno)
  2. "Fat Lady of Limburg" (Eno)

Side Two

  1. "Baby's on Fire" (Eno) – 5:02
  2. "Diamond Head" (Manzanera) – 6:21
  3. "Miss Shapiro" (Manzanera, Eno) – 4:20
  4. "You Really Got Me" (Ray Davies) – 3:23
  5. "Third Uncle" (Eno) – 5:14

Thursday, July 29, 2010

Max Romeo and the Upsetters - War In a Babylon


This album is a classic reggae album which must simply be listened to
Listen to (and Download) the album 'War in a Babylon', by Max Romeo and the Upsetters.

Max Romeo (born Maxwell Livingston Smith, 22 November 1947, St. D'Acre, St. James, Jamaica) is a reggae and roots reggae recording artist who has achieved chart success in his home country, and in the UK. Romeo was responsible for launching an entirely new sub-genre of reggae, whose overtly suggestive lyrics caused an outcry but took a massive hold of the music scene regardless. Yet innuendo was the least of the singer's stylings, previous to the release of his infamous "Wet Dream," Romeo had garnered a string of sweet hits with the vocal trio the Emotions. And once the nocturnal naughtiness faded, the singer established himself as one of the most important figures in the roots scene. (Wikipedia).

War Ina Babylon is perhaps the most famous and cult album by Max Romeo and Lee Perry's backing band The Upsetters, released in 1976. Along with The Heptones' Party Time and Junior Murvin's Police and Thieves, this album can be seen as part of a Black Ark Lee "Scratch" Perry produced "holy trinity". Highlights include the moving "One Step Forward", "War Ina Babylon", the militant "Chase The Devil", and the "film noir" reggae of "Norman".

One step Forward- Max Romeo and the Upsetters


Max Romeo & The Upsetters - I chase the Devil



Albums

* A Dream (1969) Pama
* Let The Power Fall (1971) Dynamic
* Revelation Time (1975) Tropical Sound Tracs
* War Ina Babylon (1976) Island
* Reconstruction (1979) Island/Dynamic
* Rondos (1980) King Kong
* Holding Out My Love to You (1981) Shanachie
* I Love My Music (1982) Solid Groove
* One Horse Race (1985), Island in the Sun
* Transition (1989) Rohit
* Fari - Captain of My Ship (1992) Jah Shaka
* Our Rights (1992) Jah Shaka
* Cross or the Gun (1995) Tappa Zukie
* Selassie I Forever (1999) Mafia & Fluxy
* Love Message (1999) Warriors
* Something is Wrong (1999) Warriors
* In This Time (2001) 3D (Max Romeo & Tribu Acustica)
* Pocomania Songs (2007) Ariwa Sounds


Compilations

* Max Romeo Meets Owen Gray At King Tubby's Studio (1984) Culture Press (with Owen Gray)
* Max Romeo and the Upsetters (1989)
* Wet Dream (1993) Crocodisc
* McCabee Version (1995) Sonic Sounds
* Open The Iron Gate (1999) Blood & Fire
* The Many Moods of Max Romeo (1999) Jamaican Gold
* Pray For Me: The Best of Max Romeo 1967-73 (2000) Trojan Records
* Perilous Times (2000) Charmax
* On The Beach (2001) Culture Press
* The Coming of Jah (2002) Trojan
* Ultimate Collection (2003) (compiled by David Katz)
* Holy Zion (2003) Burning Bush
* Wet Dream: The Best of Max Romeo (2004) Trojan
* Crazy World of Dub (2005) Jamaican Recordings
* Max Romeo Sings Hits of Bob Marley (2006), Jet Star

Wet Dream: Best of Max RomeoComing of Jah Anthology 1967-76Vintage Reggae Bash: Brooklyn 1983