Hawkwind - Blood of the Earth 2 CD MP3 Full Album

ARTiST.. hawkwind

TiTLE... blood of the earth

GENRE... progressive rock

LABEL... eastworld / cargo

YEAR.... 2010

SOURCE.. cdda

PLAYTIME 103:57 min

TRACKS.. 11

SiZE.... 152,60 MB

Tracklist

NR. TRACK. TiME.

01 seahawks 06:15

02 blood of the earth 03:00

03 wraith 06:10

04 green machine 04:05

05 inner visions 04:30

06 sweet obsession 04:43

07 comfy chair 04:57

08 prometheus 05:46

09 youd better believe it 07:15

10 sentinel 06:05

TOTAL: 52:46

blood of the earth (bonus live cd)

01 hawkwind - space

02 hawkwind - angels of death

03 hawkwind - wraith

04 hawkwind - tide of the century

05 hawkwind - magnu

06 hawkwind - levitation

07 hawkwind - long gone (bonus track)

08 hawkwind - interview 2010

TOTAL: 51:11

http://www.myspace.com/hawkwindofficial

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Download The Pretty Things-The Psychedelic Years full album

The Pretty Things-The Psychedelic Years 1966-1970-2CD-2002

Artist : The Pretty Things
Album : The Psychedelic Years 1966-1970
Label : Recall Records
Genre : Psychedelic Rock
Street date : 2002-02-02
Quality : 170 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.97 -V2 vbr-new
Size : 153.76MB
Time : 118:48min
Url : http://www.cduniverse.com/productinfo.asp?pid=236
1495




Disc 1/2

1. Scene One 1:51
2. She Says Good Morning (Live 69) 3:44
3. Talkin About The Good Times 3:44
4. L.S.D. 2:27
5. Old Man Going 3:09
6. My Time 3:09
7. SF Sorrow Is Born 3:14
8. Trust 2:46
9. October 26 4:57
10. There Will Never Be Another Day 2:28
11. Mr Evasion 3:31
12. Death 3:09
13. Cant Stand The Pain 2:41
14. The Journey 2:43
15. I See You (Live, Abbey Road) 6:11
16. Well Of Destiny (Live, Abbey Road) 2:49
17. Alexander (Live 69) 2:55


Disc 2/2

1. Defecting Grey (Single Version) 4:32
2. In The Square\The Letter\Rain 6:02
3. Walking Through My Dreams 3:39
4. Bracelets Of Fingers 3:40
5. Growing In My Mind 2:20
6. Baron Saturday (Live, Abbey Road) 4:43
7. Shes A Lover 3:29
8. Bright Lights Of The City 3:03
9. Blue Serge Blues 3:53
10. Children (Alternate Version) 3:02
11. One Long Glance 2:54
12. Private Sorrow 3:50
13. Balloon Burning 3:48
14. The Sun (With Strings) 3:04
15. Grass 4:21
16. Whats The Use 1:45
17. Parachute 3:50
18. Loneliest Person 1:25

Download Link
http://rapidshare.com/files/342390163/The_Pretty_Things-The_Psychedelic_Years_1966-1970-2CD-2002-MTD.rar

After a few years of outdoing the Rolling Stones at their own game, Messrs. May and Co., clearly affected by their love of swinging London nightlife and all that went with it, injected their primal R&B roots with added spice (as Mike Stax, "numero uno Los Pretty Things fan," points out in his excellent liner notes).
"Can't Stand the Pain" (from the 1965 Get The Picture album) has "a remarkably effective mood with a sense of a dreamy disembodiment that foreshadows what was yet to come with the arrival of psychedelia." By April 1966, B-side "LSD," yet another controversial shot in the Pretty Things' canon, helped pioneer the "freakbeat" sound, whilst the media's attacks on the Pretties slack, druggy values were foremost to the changing times -- in fact, the record was a play on words about the English economy and not a celebration of the merits of LSD usage. However, the band was clearly well-aware of LSD and its effects, and over the coming months further musical explorations that were to steer the band away from their earlier tough R&B sound were to occur.

After the rather well-thought inclusion of these two late 1965 and early 1966 tracks, the rest of this double CD focuses on output that was recorded across the 1967 to 1970 psychedelic era. Cuts from the much maligned Emotions album, released in May 1967, take on a new edge when singled out from the album's far from psychedelic brassy pop numbers. The visceral "There Will Never Be Another Day" chronicles an LSD trip, whilst "The Sun" and "Growing in My Mind" show a far more introspective side well suited to the floral times. A primer for this set is an earlier take of "Children," which crackles with raga guitar in an altogether less commercial manner than the album version. Although somewhat of an albatross around the band's neck, when intermingled with their psychedelically charged later material, the chosen cuts from Emotions certainly indicate the direction they were intending to take. The pre-S.F. Sorrow November 1967 single "Defecting Grey" was the pinnacle of not only the Pretty Things' experimentation with psychedelia, but one of the finest examples of British psychedelia.

A cacophony of fuzz guitar, trippy lyrics, fairground organ, and sitar, with numerous twists and turns in tempo, mood, and thematics. Like an acid trip, "Defecting Grey" was a rollercoaster of a ride that was fun, disturbing, and overall invigorating. At last the band had conquered psychedelia. Although they would never match its lysergic quality again, the Pretties were now a bona fide "underground freak band." After a following single ("Talkin' About the Good Times"/"Walking Through My Dreams") that utilized the heady sounds of the Mellotron, the psychedelic instrument that was second only to the sitar, the band soon unleashed the song cycle that they had been working on over the past months. S.F. Sorrow displayed the darker, more theatric side of psychedelia. Based on a short story written by Phil May, the album shifts moods and textures, making great usage of Norman Smith's production techniques at the Abbey Road studios. On this set, the selected album cuts are taken out of their original context, but as Stax notes, work superbly as songs on there own accord. (Also included on this CD are three tracks that were recorded for the September 1998 internet webcast of S.F. Sorrow. These are proof that the band still has it, even 30 years on.)

And as if a cohesive compilation of the band's psychedelic era wasn't enough, Snapper unleashed two previously unreleased live cuts that were recorded in Amsterdam in March 1969. "Alexander" was previously recorded for the DeWolfe Music Library as extra income for the non-hitmakers and was featured in the swinging '60s Norman Wisdom farce What's Good for the Goose, where the Pretties mimed to it in all of their hippy glory. Live, they attack the song with psych-punk venom, along with an equally powerful version of "She Says Good Morning" from the same concert.

801 Live (Rare album)

801 Live is a totally Cult album featuring Phil Manzanera and Brian Eno amongst other Genial artists.
801 were an English experimental rock band that were originally formed in 1976 for three live concerts by

• Phil Manzanera (guitars, ex-Roxy Music)
• Brian Eno (keyboards, synthesizers, guitar, and vocals, ex-Roxy Music)
• Bill MacCormick (bass and vocals, ex-Quiet Sun, Matching Mole)
• Francis Monkman (Fender Rhodes piano and clavinet, ex-Curved Air)
• Simon Phillips (drums and rhythm generator)
• Lloyd Watson (slide-guitar and vocals).

Download Full album on Mega Upload >>>>

In 1976, while Roxy Music had temporarily disbanded, 801 (also referred to as THE 801) got together as a temporary project and began rehearsing at Island Studios, Hammersmith, about three weeks before their first gig. The name of the band was taken from the Eno song "The True Wheel", which appears on his 1974 solo album Taking Tiger Mountain (By Strategy). The refrain of the song -- "We are the 801, we are the central shaft" -- reportedly came to him in a dream (although it has also been noted that "Eight Nought One" acrostically spells his name).

801 performed three critically highly acclaimed concerts: in Norfolk, at the Reading Festival and the final concert on 3 September at London's Queen Elizabeth Hall. This last concert was recorded live and released as the album 801 Live. The music consisted of more or less mutated selections from albums by Manzanera, Eno, and Quiet Sun, plus a full-scale rearrangement of Lennon-McCartney's "Tomorrow Never Knows" and an off-the-wall excursion into The Kinks' 1964 hit "You Really Got Me".

Released at the height of the punk rock revolution in the UK, the LP was not a major commercial success, but it sold well throughout the world, particularly because it gained rave reviews from critics, both for the superb performances by the musicians and for its groundbreaking sound quality.

Although live albums were by then becoming increasingly sophisticated in their production -- thanks to the advent of portable multi-track recorders and mobile studios -- most were hampered by relatively poor sound quality. Up until this time, the standard procedure for both front-of-house mixing and live recording was capture the sound of amplified instruments such as guitars by placing microphones in front of the amplifiers. Although many superb performances were captured, the results were still markedly inferior to studio recordings and live recordings often suffered from a range of problems such as distortion, noise, sound "leakage" between instruments, poor separation and intrusive audience sounds.

801 Live set new standards for live recordings because it was one of the first live LPs in which all outputs from the vocal microphones, guitar amps and others instruments (except the drums) were fed directly to the mobile studio mixing desk, rather than being recorded via microphones and/or signals fed out the front-of-house PA mixer. This so-called "Direct Injection" (DI) method had been used for years in the studio but this was one of the first instances of the method being successfully used to record a live album.

801 Live became a significant cult success in many countries, notably in Australia, where it was heavily promoted by the ABC's new 24-hour rock station Double Jay (2JJ), which had opened in January 1975. Although based in Sydney, the station could be heard widely around New South Wales and was relayed nationally after midnight via the ABC's national AM network. It is notable that 801 Live received virtually no commercial radio airplay, it had no music video to promote it, and it was originally not even locally released in Australia. Despite this, the album became the highest-selling import album of the year in Australia in 1976 and demand for it as an import item eventually forced the Australian distributors to release it locally. Australian band Icehouse played 801 songs as well as other Eno covers.[citation needed]

In 1977, hoping to capitalise on the success of 801 Live, the band recorded and released Listen Now, a studio album with additional collaborating musicians including Tim Finn of Split Enz, but without Lloyd Watson.

In late 1977, 801 reformed as another live group around Manzanera and MacCormick for a promotion tour for the album Listen Now. Their concert at Manchester University was finally released as the album 801 Manchester in 2001.

In 2006, the official Phil Manzanera Web site Manzanera.com reported that 801 Live was soon to be reissued as a double CD with "minor tweaks" to the original recordings and restoration of the "proper ending" to the song Third Uncle. On the original album, Third Uncle builds to a crescendo of guitar strokes and cuts abruptly to silence. According to the Web site, new material for the second CD will include the band's last rehearsal on a sound stage at Shepperton Film Studios. An official release date for the new double CD has not been announced.

801 Live Track Listing

(1976)

Side One

1. "Lagrima" (Manzanera) – 2:34
2. "TNK (Tomorrow Never Knows)" (John Lennon, Paul McCartney) – 6:14
3. "East of Asteroid" (Manzanera, MacCormick) – 4:58
4. "Rongwrong" (Charles Hayward) – 5:10
5. "Sombre Reptiles" (Eno) – 3:14

Bonus Tracks added to 1999 Reissue (Collectors Edition)

1. "Golden Hours" (Eno)
2. "Fat Lady of Limburg" (Eno)

Side Two

1. "Baby's on Fire" (Eno) – 5:02
2. "Diamond Head" (Manzanera) – 6:21
3. "Miss Shapiro" (Manzanera, Eno) – 4:20
4. "You Really Got Me" (Ray Davies) – 3:23
5. "Third Uncle" (Eno) – 5:14

Max Romeo and the Upsetters - War In a Babylon

This album is a classic reggae album which must simply be listened to
Listen to (and Download) the album 'War in a Babylon', by Max Romeo and the Upsetters.

Max Romeo (born Maxwell Livingston Smith, 22 November 1947, St. D'Acre, St. James, Jamaica) is a reggae and roots reggae recording artist who has achieved chart success in his home country, and in the UK. Romeo was responsible for launching an entirely new sub-genre of reggae, whose overtly suggestive lyrics caused an outcry but took a massive hold of the music scene regardless. Yet innuendo was the least of the singer's stylings, previous to the release of his infamous "Wet Dream," Romeo had garnered a string of sweet hits with the vocal trio the Emotions. And once the nocturnal naughtiness faded, the singer established himself as one of the most important figures in the roots scene. (Wikipedia).

War Ina Babylon is perhaps the most famous and cult album by Max Romeo and Lee Perry's backing band The Upsetters, released in 1976. Along with The Heptones' Party Time and Junior Murvin's Police and Thieves, this album can be seen as part of a Black Ark Lee "Scratch" Perry produced "holy trinity". Highlights include the moving "One Step Forward", "War Ina Babylon", the militant "Chase The Devil", and the "film noir" reggae of "Norman".

One step Forward- Max Romeo and the Upsetters

Max Romeo & The Upsetters - I chase the Devil

Albums

* A Dream (1969) Pama
* Let The Power Fall (1971) Dynamic
* Revelation Time (1975) Tropical Sound Tracs
* War Ina Babylon (1976) Island
* Reconstruction (1979) Island/Dynamic
* Rondos (1980) King Kong
* Holding Out My Love to You (1981) Shanachie
* I Love My Music (1982) Solid Groove
* One Horse Race (1985), Island in the Sun
* Transition (1989) Rohit
* Fari - Captain of My Ship (1992) Jah Shaka
* Our Rights (1992) Jah Shaka
* Cross or the Gun (1995) Tappa Zukie
* Selassie I Forever (1999) Mafia & Fluxy
* Love Message (1999) Warriors
* Something is Wrong (1999) Warriors
* In This Time (2001) 3D (Max Romeo & Tribu Acustica)
* Pocomania Songs (2007) Ariwa Sounds


Compilations

* Max Romeo Meets Owen Gray At King Tubby's Studio (1984) Culture Press (with Owen Gray)
* Max Romeo and the Upsetters (1989)
* Wet Dream (1993) Crocodisc
* McCabee Version (1995) Sonic Sounds
* Open The Iron Gate (1999) Blood & Fire
* The Many Moods of Max Romeo (1999) Jamaican Gold
* Pray For Me: The Best of Max Romeo 1967-73 (2000) Trojan Records
* Perilous Times (2000) Charmax
* On The Beach (2001) Culture Press
* The Coming of Jah (2002) Trojan
* Ultimate Collection (2003) (compiled by David Katz)
* Holy Zion (2003) Burning Bush
* Wet Dream: The Best of Max Romeo (2004) Trojan
* Crazy World of Dub (2005) Jamaican Recordings
* Max Romeo Sings Hits of Bob Marley (2006), Jet Star

Download Spirit - First Album (1968)

Spirit - First Album

Recommended Download;

Spirit 1968 (Full Album Download)

Spirit's self-titled debut album is one whose multifarious experimentalism owes a lot to the contemporary successes of The Beatles' Sgt. Pepper's Lonely Hearts Club Band and Pink Floyd's The Piper at the Gates of Dawn. It marked the humble beginnings and grand aspirations of its eponymous authors. While the mindset required to produce Spirit was ubiquitous, the endeavour itself was far from clichéd. The eclecticism of Randy California's writing coupled Barrett's psychotropism with Morrison's West Coast bohemianism; and although the result proved somewhat inaccessible to the masses, it made the project ripe for underground FM airtime. The band would later curtail its psychedelia, focusing on a broader array of genres.

This release was published first by Ode records in 1968. It has since been reprinted by Sony–repackaged in compact-disc form and remastered from original analogue tapes. (Wikipedia)

1. "Fresh-Garbage" 3:11
2. "Uncle Jack" 2:44
3. "Mechanical World" Andes, Ferguson 5:15
4. "Taurus" California 2:37
5. "Girl in Your Eye" 3:15
6. "Straight Arrow" 2:50
7. "Topanga Windows" 3:36
8. "Gramophone Man" Andes, California, Cassidy, Ferguson, Locke 3:49
9. "Water Woman" 2:11
10. "The Great Canyon Fire in General" 2:46
11. "Elijah" Locke 10:42
12. "Veruska †" California 2:50
13. "Free Spirit †" Locke 4:27
14. "If I Had a Woman †" California 3:11
15. "Elijah (Alternate Take) †" Locke 9:42

* † - Tracks specific to the 1996 reissue

Album Download Link;

 Download on Mediafire - Spirit (1968)

Robin Williamson - Myrrh

Robin Williamson (born 24 November 1943, Edinburgh) is a Scottish multi-instrumentalist musician, singer, songwriter and storyteller, who first made his name as a founder member of The Incredible String Band.

Robin Williamson released his first solo album, Myrrh, in 1972, when still a member of the Incredible String Band. The album begins with a composition by a long-time friend of Williamson, Ivan Pawle (of the band Dr. Strangely Strange). 'Strings in the earth and air' is a perfect opener, one of the most beautiful songs Robin has ever recorded. It sets the mood for the album perfectly, invoking images of music, nature, love and beauty.

Band members:
Robin Williamson - Guitar, Chinese Flute, Vocals, Oboe, Jew's-Harp, Gong, Bazouki, Cello, Violin, Piano, Bass, Flute, Guitar, Mandolin
Janet Williamson - Organ, Piano
Stan Lee Buttons - Organ, Pedal Steel, Bass
Suzie W.T. - Flute, Soloist
David Campbell - Viola
Gerry Conway - Drums

Jack Miller - Art Direction
Mitch Walker - Design, Photography
Mike Blore - Art Direction

Tracks:
1. Strings in the Earth and Air
2. Rends-Moi Demain
3. The Dancing of the Lord of Weir
4. Will We Open the Heavens
5. Through the Horned Clouds
6. Sandy Land
7. Cold Harbour
8. Dark Eyed Lady
9. Dark Dance
10. I See Us All Get Home

Download Complete Album - Myrrh - Robin Williamson
Megaupload alternative download link

 

Listen to Robins wonderful version of  "The Parting Glass"

Biography;

He lived in the Portobello area of Edinburgh, and attended George Watson's College before leaving at the age of 15 to become a professional musician. At first he performed in local jazz bands, with Gerard Dott (a later member of the ISB) and others, before turning to traditional music as a singer and guitarist. By 1961 he had met and begun sharing a flat with Bert Jansch, and in 1963 they traveled together to London to play the metropolitan folk circuit.[1]

By 1965 he had returned to Edinburgh and formed a duo with Clive Palmer, specialising in fiddle and banjo arrangements of traditional Scots and Irish songs. Joe Boyd signed them to Elektra Records in 1966, by which time they had recruited third member Mike Heron. As resident band at Clive’s Incredible Folk Club in Glasgow, they called themselves the Incredible String Band.

Between 1966 and 1974 the Incredible String Band, based around the duo of Williamson and Heron, released some 13 albums, becoming in the UK one of the most popular, best-loved and influential groups of the era. The group also included Williamson's sometime girlfriend Licorice McKechnie.

Williamson released his first solo LP, "Myrrh", in 1971 when still a member of the Incredible String Band. After the band split up in 1974, he began living in Los Angeles and, for a while, turned his attention to writing, co-writing an espionage novel, "The Glory Trap".

By 1976 he had returned to music, forming The Merry Band with Sylvia Woods (Celtic harp), Jerry McMillan (fiddle), and Chris Caswell (flutes, and wire-strung harp). They toured extensively for three years throughout the US, Canada, and Europe, and released three albums "Journey’s Edge", "American Stonehenge", and "A Glint At The Kindling".

After the breakup of the Merry Band, Williamson returned to the UK and started to tour solo, offering sets dominated by traditional stories set to song. Releases of this period include "Songs of Love and Parting" and "Legacy of the Scottish Harpers". Williamson's concern with the British bardic tradition also manifested itself in several books and tapes containing spoken renditions of traditional tales. He has also written a tutorial book of English, Welsh, Scottish and Irish Fiddle Tunes (ISBN 0-8256-0165-7) as well as one for the penny whistle (ISBN 0-8256-0190-8).

Williamson's live album with John Renbourn, 'Wheel Of Fortune' (1995), was nominated for a Grammy, (as was the ISB album 'Hangman's Beautiful Daughter', in 1968).

In the late 1990s he took part, with Palmer and Heron, in a reformed ISB. Williamson left the band some time around the start of 2003 - some rumours had it that he was forced out in acrimonious circumstances. The reformed band disbanded once again in 2006.

Meanwhile Williamson resumed his solo career, notably on record with a series of albums for the ECM label. "Seed-at-zero' (2000), 'Skirting The River Road' (2002) and 'The Iron Stone' (2006) featured him combining his own words with those of the likes of Dylan Thomas, William Blake, and Walt Whitman. Musically these records show him increasingly working in a fusion style (similar in some ways to the avant-garde work of the Incredible String Band in the 60's) which incorporates folk, jazz, Renaissance, Classical and Eastern influences. A group of distinguished jazz musicians accompany Williamson on the two most recent ECM records, notably violist Mat Maneri, bassist Barre Phillips, Swedish multi-instrumentalist Ale Moller, and English sax player Paul Dunmall.

Wikipedia

 

 Discography;

Solo Albums
* - Myrrh (1972)
* - Journey's Edge (1977) (with The Merry Band)
* - American Stonehenge (1978) (with The Merry Band)
* - A Glint At The Kindling (1979) (with The Merry Band)
* - Songs of Love & Parting (1981)
* - The Fisherman's Son And The Gruagach of Tricks (1981)
* - Prince Dougie And The Swan Maiden (1982)
* - Rory Mor And The Gruagach Gaire (1982)
* - Music for the Mabinogi (1983)
* - Selected Writings (1984)
* - Five Humorous Tales of Scotland and Ireland (1984)
* - The Dragon Has Two Tongues (1985)
* - Five Celtic Tales of Enchantment (1985)
* - Five Legendary Histories Of Britain (1985)
* - Five Bardic Mysteries (1985)
* - Five Tales of Prodigies and Marvels (1985)
* - Legacy of the Scottish Harpers (1986)
* - Legacy of the Scottish Harpers Volume Two (1986)
* - Winter's Turning (1986)
* - Songs For Children of All Ages (1987)
* - Ten of Songs (1988)
* - Music For The Newly Born (1990)
* - Wheel Of Fortune (1995, with John Renbourn)
* - The Island Of The Strong Door (1996)
* - Songs For The Calendarium (1996)
* - Farewell Concert At McCabe's (1997, with The Merry Band)
* - Mirrorman's Sequences (1997)
* - Celtic Harp Airs And Dance Tunes (1997)
* - Memories/Erinnerungen (1997)
* - Dream Journals (1997)
* - Bloomsbury 1997 (1998, with Mike Heron)
* - Gems Of Celtic Story 1 (1998)
* - Ring Dance (1998)
* - Gems Of Celtic Story 2 (1998)
* - A Job Of Journey Work (1998)
* - The Old Fangled Tone (1999)
* - Music For Macbeth (1999)
* - At The Pure Fountain (1999, with Clive Palmer)
* - The Seed-at-Zero (2000)
* - Just Like The Ivy (2000, with Clive Palmer)
* - Bloomsbury 2000 (2001, with reformed ISB)
* - Carmina (2001)
* - Skirting The River Road (2002)
* - Gems Of Celtic Story 3 (2002)
* - The Iron Stone (2006)
* - The Celtic Bard (2008)
* - Just Like The River And Other Songs For Guitar (2008)

With Incredible String Band
* The Incredible String Band (Elektra, June 1966)
* The 5000 Spirits or the Layers of the Onion (Elektra, July 1967)
* The Hangman's Beautiful Daughter (Elektra, March 1968)
* Wee Tam and the Big Huge (Elektra, November 1968)
* Changing Horses (Elektra, November 1969)
* I Looked Up (Elektra, April 1970)
* U (Elektra, October 1970)
* Be Glad for the Song Has No Ending (Island, March 1971)
* Relics (Elektra compilation)
* Liquid Acrobat as Regards the Air (Island, October 1971)
* Earthspan (Island, November 1972)
* No Ruinous Feud (Island, March 1973)
* Hard Rope and Silken Twine (Island, March 1974)
* Seasons They Change (Island compilation, 1976)
* BBC Radio 1 Live on air (1990, CD)
* BBC Radio 1 Live In Concert (1992)
* The Chelsea Sessions 1967 (1997, CD)
* First Girl I Loved: Live in Canada 1972 (Trojan Records, 2001, CD)
* nebulous nearnesses (2004, CD)
* Across The Airwaves: BBC Radio Recordings 1969-74 (2007, CD)

For solo releases, see under Robin Williamson and Mike Heron.
[edit] Singles (UK only)

* "Way Back In The 1960s" / "Chinese White" (Elektra, 1967)
* "Painting Box" / "No Sleep Blues" (Elektra, 1967)
* "Big Ted" / "All Writ Down" (Elektra, 1969)
* "This Moment" / "Black Jack Davy" (Elektra, 1970)
* "Black Jack David" / "Moon Hang Low" (Island WIP 6145, 11/1972)
* "At The Lighthouse Dance" / "Jigs" (Island WIP 6158, 2/1973)


Bibliography;
Robin Williamson
* - English, Welsh, Scottish and Irish Fiddle Tunes (1976)

Robin Williamson
* - Penny Whistle Book (1977)

Robin Williamson
* - Five Denials on Merlin's Grave: A Poem With Annotations (1979)

Dan Sherman and Robin Williamson
* - The Glory Trap (1981) (novel)

Robin Williamson
* - Holy Howlers (1987)
* - The Craneskin Bag: Celtic Stories and Poems (1989)
* - Wise and Foolish Tongue: Celtic Stories and Poems (1991)

Robin Williamson and John Matthews
* - From the Isles of Dream: Visionary Stories and Poems of the Celtic Renaissance (1993)

R.J. Stewart and Robin Williamson
* - Celtic Bards, Celtic Druids (1996)

Robin Williamson and John Matthews
* - The Bardic Source Book: Inspirational Legacy and Teachings of the Ancient Celts (1998)