Showing posts with label Electronic Music. Show all posts
Showing posts with label Electronic Music. Show all posts

Monday, September 13, 2010

801 Live (Rare album)

801 Live (Collector's Edition)
801 Live is a totally Cult album featuring Phil Manzanera and Brian Eno amongst other Genial artists.
801 were an English experimental rock band that were originally formed in 1976 for three live concerts by
  • Phil Manzanera (guitars, ex-Roxy Music)
  • Brian Eno (keyboards, synthesizers, guitar, and vocals, ex-Roxy Music)
  • Bill MacCormick (bass and vocals, ex-Quiet Sun, Matching Mole)
  • Francis Monkman (Fender Rhodes piano and clavinet, ex-Curved Air)
  • Simon Phillips (drums and rhythm generator)
  • Lloyd Watson (slide-guitar and vocals).

In 1976, while Roxy Music had temporarily disbanded, 801 (also referred to as THE 801) got together as a temporary project and began rehearsing at Island Studios, Hammersmith, about three weeks before their first gig. The name of the band was taken from the Eno song "The True Wheel", which appears on his 1974 solo album Taking Tiger Mountain (By Strategy). The refrain of the song -- "We are the 801, we are the central shaft" -- reportedly came to him in a dream (although it has also been noted that "Eight Nought One" acrostically spells his name).

801 performed three critically highly acclaimed concerts: in Norfolk, at the Reading Festival and the final concert on 3 September at London's Queen Elizabeth Hall. This last concert was recorded live and released as the album 801 Live. The music consisted of more or less mutated selections from albums by Manzanera, Eno, and Quiet Sun, plus a full-scale rearrangement of Lennon-McCartney's "Tomorrow Never Knows" and an off-the-wall excursion into The Kinks' 1964 hit "You Really Got Me".

Released at the height of the punk rock revolution in the UK, the LP was not a major commercial success, but it sold well throughout the world, particularly because it gained rave reviews from critics, both for the superb performances by the musicians and for its groundbreaking sound quality.

Although live albums were by then becoming increasingly sophisticated in their production -- thanks to the advent of portable multi-track recorders and mobile studios -- most were hampered by relatively poor sound quality. Up until this time, the standard procedure for both front-of-house mixing and live recording was capture the sound of amplified instruments such as guitars by placing microphones in front of the amplifiers. Although many superb performances were captured, the results were still markedly inferior to studio recordings and live recordings often suffered from a range of problems such as distortion, noise, sound "leakage" between instruments, poor separation and intrusive audience sounds.

801 Live set new standards for live recordings because it was one of the first live LPs in which all outputs from the vocal microphones, guitar amps and others instruments (except the drums) were fed directly to the mobile studio mixing desk, rather than being recorded via microphones and/or signals fed out the front-of-house PA mixer. This so-called "Direct Injection" (DI) method had been used for years in the studio but this was one of the first instances of the method being successfully used to record a live album.

801 Live became a significant cult success in many countries, notably in Australia, where it was heavily promoted by the ABC's new 24-hour rock station Double Jay (2JJ), which had opened in January 1975. Although based in Sydney, the station could be heard widely around New South Wales and was relayed nationally after midnight via the ABC's national AM network. It is notable that 801 Live received virtually no commercial radio airplay, it had no music video to promote it, and it was originally not even locally released in Australia. Despite this, the album became the highest-selling import album of the year in Australia in 1976 and demand for it as an import item eventually forced the Australian distributors to release it locally. Australian band Icehouse played 801 songs as well as other Eno covers.[citation needed]

In 1977, hoping to capitalise on the success of 801 Live, the band recorded and released Listen Now, a studio album with additional collaborating musicians including Tim Finn of Split Enz, but without Lloyd Watson.

In late 1977, 801 reformed as another live group around Manzanera and MacCormick for a promotion tour for the album Listen Now. Their concert at Manchester University was finally released as the album 801 Manchester in 2001.

In 2006, the official Phil Manzanera Web site Manzanera.com reported that 801 Live was soon to be reissued as a double CD with "minor tweaks" to the original recordings and restoration of the "proper ending" to the song Third Uncle. On the original album, Third Uncle builds to a crescendo of guitar strokes and cuts abruptly to silence. According to the Web site, new material for the second CD will include the band's last rehearsal on a sound stage at Shepperton Film Studios. An official release date for the new double CD has not been announced.

801 Live Track Listing

(1976)

Side One

  1. "Lagrima" (Manzanera) – 2:34
  2. "TNK (Tomorrow Never Knows)" (John Lennon, Paul McCartney) – 6:14
  3. "East of Asteroid" (Manzanera, MacCormick) – 4:58
  4. "Rongwrong" (Charles Hayward) – 5:10
  5. "Sombre Reptiles" (Eno) – 3:14

Bonus Tracks added to 1999 Reissue (Collectors Edition)

  1. "Golden Hours" (Eno)
  2. "Fat Lady of Limburg" (Eno)

Side Two

  1. "Baby's on Fire" (Eno) – 5:02
  2. "Diamond Head" (Manzanera) – 6:21
  3. "Miss Shapiro" (Manzanera, Eno) – 4:20
  4. "You Really Got Me" (Ray Davies) – 3:23
  5. "Third Uncle" (Eno) – 5:14

Tuesday, June 22, 2010

Tangerine Dream Canyon Dream

Canyon Dreams is a in 1987 recorded album by Tangerine Dream released in 1991 on Compact Disc. The music is written as a sound accompaniment for the different scenic video scenes about the Grand Canyon released by Miramar. The tracks are divided into various episodes and related to the titles of the cuts.

Aqua Epsilon In Malaysian Pale (1979/2005)

The distinctive quality of this disc is the Native American influence. The unique style of Edgar Froese, Christopher Franke, and Paul Haslinger make them experts in creating sequenced atmospheric soundscapes, and this is exactly what they do here. They use a Native American pace and add native flutes to give the disc a feel of the American Southwest. The execution is however, unmistakably recognizable as the Berlin School of electronic music. This is make the album quite unique and the reason that Tangerine Dream received its first Grammy nomination with this album. The album is the start of a new direction using a combination of the group's progressive style and its current commercial leanings.

The music ambience relates to contemporary musicians such as Soulfood, Steve Roach, Matthias Gohl, and Michael Stearns.

01. Shadow Flyer
02. Canyon Carver
03. Water's Gift
04. Canyon Voices
05. Sudden Revelation
06. A Matter Of Time
07. Purple Nightfall
08. Colorado Dawn
Released     1991
Recorded     1986 Polygon Studios (Berlin), Eastgate Studios (Vienna)
Genre     Electronic Music, Soundtrack, New Length     40:31
Label     Miramar (MPCD 2801)
Producer     Edgar Froese


Download Complete Album - Canyon Dreams Soundtrack, Tangerine Dream

In 1991 the soundtrack of the video release Canyon Dreams was released officially as the first TD album by the Seattle based Miramar company, beginning the band's 'Seattle Years'. In the USA Canyon Dreams was nominated for the Grammy as "Best New Age Album 1991". Some months before a bootleg version of the soundtrack had already been released, titled The Canyon Dreams, featuring the music from the video. The music material on the official soundtrack was partially remixed, has slightly different running times and features the bonus track Colorado Dawn composed by Jerome Froese.

Phaedra Stratosfear

The 1999 re-release by TDI features one additional track, "Rocky Mountain Hawk", and an entirely redesigned booklet. The following sleeve notes about the Grand Canyon are included: "Two billion years of geological evidence of the earth's history is exposed in the canyon's rock walls, more than can be observed anywhere else in the world. Travelling The canyon's length requires a river journey of 277 miles, through canyons varying in distance from less than a half mile to more than eighteen miles apart, and through depths reaching nearly 600 feet. Early visitors named many of the large buttes after ancient gods. Jupiter, Juno, Apollo, Venus, Vishnu, Deva, Shiva and Brahma have temples here, while Vulcan and Wotan have thrones named in their honor. The Paiute Indians believed the canyon had been created by the god Tavwoats to separate the world of the living from the lands beyond death. Havasupai and Hulapai Indians believed the river was the runoff from an earth-covering flood, much like the one Noah experienced."

Rubycon Force Majeure

In March 2009 the album was re-released with different cover design as part of an extensive digipack series (consisting of a total of more than 60 CD and DVD releases) by the Germany based Membran record label.

...::: DOWNLOAD :::...

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